Praised for her bell-like and crisp tone, soprano Rebekah Howell is making her mark as a truly versatile artist. Howell’s budding career showcases her adaptability and excellence in a wide variety of repertoire including opera, musical theater, and concert works. Most recently, she returned to upstate New York in August, 2019 to sing the Soprano Solo in Mahler’s 4th Symphony as a guest artist with the Chautauqua Symphony Orchestra under the baton of Maestro Rossen Milanov.
During the 2018–19 season, Howell was a frequent performer in Denver as the resident soprano with Opera Colorado, performing the roles of Annina in La traviata, Barbarina and Susanna in Le nozze di Figaro, Gretel in Hansel and Gretel, and Juliet in Romeo and Juliet. In addition, she was prominently featured as Girl in Tom Cipullo’s After Life, which was an on-site joint production with the Kirkland Museum of Fine Arts. Portraying one of three characters in the new chamber opera, Howell earned praise for her interpretation: “Rebekah Howell was a suitably sweet Girl, singing Cipullo’s taxing soprano lines with ease.” (Opera News)
In the summer of 2018, Howell made two role debuts with Chautauqua Opera under the baton of Maestro Steven Osgood. First, as Zerlina in Ned Canty’s production of Don Giovanni, she “captured the mix of innocence and vacillation that characterizes Zerlina.” (The Chautauquan Daily) Later in the summer season, she also captivated audiences as Cunegonde in Jay Lesenger’s production of Candide. Guest critic Tom DiNardo gave her high praise, especially for her interpretation of “Glitter and be gay”: “you won’t ever hear it sung better than in Howell’s rendition.” (The Chautauquan Daily) Howell was also featured in the Opera Highlights Concert with the Chautauqua Symphony Orchestra, where she received a standing ovation for her rendition of “Les oiseaux dans la charmille” from Les contes d’Hoffmann. A lover of musical theater repertoire, she was also delighted to perform selections from 1776, Fiddler on the Roof, and West Side Story in the Opera Pops Concert with the Chautauqua Symphony Orchestra under the baton of Maestro Stuart Chafetz.
During the 2017-18 season, Howell made her role and company debut as Queen of the Night in The Magic Flute in October with Opera Louisiàne. Howell also returned to Baton Rouge in February as the Soprano Soloist in Carmina Burana with the Baton Rouge Symphony Orchestra under the baton of Maestro Timothy Muffitt. In the summer of 2017, Howell was prominently featured at Chautauqua Opera where she performed the world premiere of composer-in-residence Gity Razaz’s setting of Edward Leer’s “The Broom, the Shovel, the Poker and the Tongs.” Howell also covered and performed scenes as Norina in Don Pasquale, and she sang Olympia in Les Contes d’Hoffmann in the Studio Scenes Program. At the end of the season, Howell was awarded the Jay Lesenger Award, along with an invitation to return to work with the company during the 2018 summer season.
Other awards and honors include first place in the Fielder Grant Competition for Career Advancement (2019), first place in the Ruth Burr Vocal Competition (2018), an encouragement award from Career Bridges (2018), second place in the National Opera Association Vocal Competition (2017), second place in the Orpheus Vocal Competition (2017), a Georgina Joshi International Fellowship (2016), first place in the Edward Baird Singer of the Year Competition (2015), first place at the national finals of the MTNA Young Artist Vocal Competition (2015), and the Grady Harlan Award (2015). In 2014, she was also a finalist in the Dallas Opera Guild Competiton.
Devoted to sharing her love of performance and helping aspiring singers, Howell has been a private voice teacher for the past nine years. She has taught primarily in Houston and Waco, TX, and she was also an Associate Instructor of Voice while completing her Master of Music at Indiana University. Most recently, she created a series of discussions and masterclasses specifically focusing on helping young performers conquer their performance anxiety and stage fright. When she is not on the stage, Howell can usually be found with her family in her hometown, Houston, TX, shamelessly doting on her niece and nephew.
After Life | Opera Colorado | 2019
"Rebekah Howell was a suitably sweet Girl, singing Cipullo's taxing soprano lines with ease."
Marc Shulgold | OPERA NEWS
Candide | Chautauqua Opera | 2018
"Glitter and Be Gay,"
now a staple of operatic recitalists, has fun with the heroine’s conflict in ruing her descent into debauchery for the advantages of lush creature comfort. But the jewels win out, and
you won’t ever hear it sung better than in Howell's rendition.
TOM DI NARDO | The Chautauquan Daily
Don Giovanni | Chautauqua Opera | 2018
a crisp toned
captured the mix of
innocence and vacilation
that characterizes Zerlina.
ARTHUR KAPTAINIS | The Chautauquan Daily
Die Fledermaus | Indiana University | 2015
As the Eisenstein's
flirtatious and scheming
soprano Rebekah Howell
spread plenty of
high notes and
PETER JACOBI | The Herald Times